#Pressure the 1975 album cover for free
“On this record you can hear that at times I want to make my ‘Nebraska’ or I want to make my ‘Immunity’ by Jon Hopkins. Get the The 1975 Setlist of the concert at O2 Apollo Manchester, Manchester, England on Septemfrom the UK & North American Tour 2014 Tour and other The 1975 Setlists for free on setlist. “Of course, at times, I wanted to make ’ ‘Loveless’ of course, or at times I wanted to make ‘OK Computer’ – there were all these types of things. “When I was making the last record that wasn’t trying to make a particular thing,” Healy told NME, speaking of the pressure he feels to make another acclaimed album. There isn’t a ‘Love It If We Made It’ yet. We created ‘A Brief Inquiry’ in the domestic environment that this next record is about. Neil told me that the comet represents life’s sparkle and fade, says Syme in The Art Of Rush. It’s a lot about home, it’s a lot about mental health, it’s a lot about domesticity. Rush’s first album in six years, and the first since the death of Neil Peart‘s wife and daughter, the cover of 2002’s Vapor Trails featured a painting of a blazing comet, whose tail extended onto the back sleeve. In conversation with NME, Healy added: It’s very homely. It’s quite a British record, and what Matty’s talking about is this feeling of ‘the nighttime’. Jeremy Gaudet says of the new single, This song is. The album was recorded and produced in Toronto by Sub Pop labelmate Dan Boeckner (Wolf Parade, Handsome Furs, Operators). You’ll definitely hear that on the record. will release Chopper, their third album, via Sub Pop, with the exception of Canada through the band’s Kiwi Club imprint. They’re from that generation of hotboxing in cars and listening to British dance music. Best Ever Albums score: 15,350 - Best Ever Albums user rating: 80 - Rank all-time: 114 - Rank in decade: 28 - Rank in year: 5 - Year: 1977. “Matty often gives us these soundbites and they’re always so on the nose,” said Oborne. Speaking to NME about what to expect from the album, their Dirty Hit label boss Jamie Oborne told NME that it was very much “a nighttime record“.